1 00:00:01,040 --> 00:00:03,040 PREVIOUSLY ON "NYPD BLUE"... 2 00:00:03,070 --> 00:00:04,710 TRUCK DRIVER FOUND HER. 3 00:00:04,740 --> 00:00:06,940 WOULDN’T BE THE FIRST TIME SOMEONE GRADUATED TO HEROIN 4 00:00:06,980 --> 00:00:08,110 AND DIDN’T TELL THEIR LOVED ONES. 5 00:00:08,150 --> 00:00:10,360 WHEN WE WERE MARRIED, THERE WERE SOME PROBLEMS. 6 00:00:10,380 --> 00:00:11,910 SAME PROBLEMS ENDED UP KILLING HER. 7 00:00:11,950 --> 00:00:13,510 WHY DON’T YOU TAKE A COUPLE DAYS OFF? 8 00:00:13,550 --> 00:00:14,520 YEAH, I’M GONNA. 9 00:00:14,550 --> 00:00:15,720 LOOK AT THIS. 10 00:00:15,750 --> 00:00:17,520 WHAT’S HE DOING BACK? 11 00:00:17,560 --> 00:00:19,530 GOOD TO SEE HE’S LOST THAT SMUG GRIN 12 00:00:19,560 --> 00:00:21,190 I’D LIKE TO TAKE OFF WITH A BELT SANDER. 13 00:00:21,230 --> 00:00:22,930 THE WELCOME‐BACK PARTY YOU’RE THROWING FOR ME, 14 00:00:22,960 --> 00:00:24,530 THAT’S AFTER THE TOUR? 15 00:00:24,560 --> 00:00:26,960 YOU’RE GONNA LIKE THIS A LOT BETTER THAN OUR OLD PLACE. 16 00:00:27,000 --> 00:00:28,030 NO, I WON’T. 17 00:00:28,070 --> 00:00:29,880 COME ON, THEO. 18 00:00:29,900 --> 00:00:32,230 I WON’T. I HATE IT. 19 00:00:41,810 --> 00:00:42,880 [ SIGHS ] 20 00:00:42,910 --> 00:00:44,250 OKAY, THEO. LET’S GO. 21 00:00:44,280 --> 00:00:45,710 YOUR BATH’S READY. 22 00:00:45,750 --> 00:00:46,820 I’M TIRED TODAY. 23 00:00:46,850 --> 00:00:48,620 WELL, A BATH WILL WAKE YOU UP. 24 00:00:48,650 --> 00:00:51,320 COME ON. 25 00:00:51,360 --> 00:00:52,960 ARE THINGS OKAY AT YOUR NEW SCHOOL? 26 00:00:52,990 --> 00:00:54,090 BEEN PRETTY QUIET ABOUT THAT. 27 00:00:54,130 --> 00:00:55,170 IT’S FINE. 28 00:00:55,190 --> 00:00:58,290 YOU MAKE ANY NEW FRIENDS? 29 00:00:58,330 --> 00:01:00,260 NO. 30 00:01:10,710 --> 00:01:13,840 THEO WET HIS BED AGAIN ‐‐ THREE NIGHTS IN A ROW NOW. 31 00:01:13,880 --> 00:01:15,510 DID YOU TALK TO HIM ABOUT IT? 32 00:01:15,550 --> 00:01:16,920 I WILL. WHERE’S THE CLEAN SHEETS? 33 00:01:16,950 --> 00:01:18,410 THE SHEETS ARE STILL DIRTY. 34 00:01:18,450 --> 00:01:19,780 I THOUGHT YOU DID THE LAUNDRY. 35 00:01:19,820 --> 00:01:21,520 I RAN OUT OF DETERGENT. 36 00:01:21,550 --> 00:01:23,650 YOU WERE SUPPOSED TO PICK SOME UP. 37 00:01:23,690 --> 00:01:26,590 YOU NEED TO REMIND ME. I GOT A FEW THINGS ON MY MIND. 38 00:01:26,630 --> 00:01:28,800 I’VE GOT A FEW THINGS ON MY MIND, TOO. 39 00:01:28,830 --> 00:01:30,940 I’M NOT TRYING TO START SOMETHING HERE. 40 00:01:30,960 --> 00:01:33,600 THE DIVISION OF CHORES IS GETTING A LITTLE UNEVEN. 41 00:01:33,630 --> 00:01:35,760 DO YOU WANT ME TO DO THE LAUNDRY? 42 00:01:35,800 --> 00:01:37,470 SHE’S COLICKY. 43 00:01:37,500 --> 00:01:39,030 [ CRYING ] 44 00:01:39,070 --> 00:01:40,840 SHH. 45 00:01:40,870 --> 00:01:42,200 IT’S OKAY, HONEY. 46 00:01:42,240 --> 00:01:43,270 IT’S OKAY. 47 00:01:43,310 --> 00:01:44,650 [ EXHALES DEEPLY ] 48 00:01:54,220 --> 00:01:55,680 THEO, YOU IN THE TUB YET? 49 00:01:55,720 --> 00:01:56,950 Theo: LEAVE ME ALONE. 50 00:01:56,990 --> 00:01:57,950 [ PAGER BEEPING ] 51 00:01:57,990 --> 00:02:00,160 ANDY, YOUR PAGER! 52 00:02:02,830 --> 00:02:04,340 MY PAGER. 53 00:02:10,070 --> 00:02:11,500 I’M JUST TRYING TO SETTLE HER. 54 00:02:25,220 --> 00:02:26,730 AND THAT’S IT. 55 00:02:26,750 --> 00:02:27,980 OKAY, THANKS. 56 00:02:28,020 --> 00:02:29,150 SURE. 57 00:02:29,190 --> 00:02:31,560 ELAINE KOPEK. BEAT WITH A DRILL. 58 00:02:31,590 --> 00:02:33,660 THOROUGH JOB. ANY SIGN OF A BREAK‐IN? 59 00:02:33,690 --> 00:02:35,590 THE PLACE LOOKS SECURE. WHO CALLED IT IN? 60 00:02:35,630 --> 00:02:37,370 SUPER. I HAVEN’T TALKED TO HIM YET. 61 00:02:37,400 --> 00:02:39,640 WE GOT IT. I’LL START A CANVASS. 62 00:02:42,900 --> 00:02:44,570 DETECTIVES SIPOWICZ AND CLARK. WHAT’S YOUR NAME? 63 00:02:44,600 --> 00:02:47,670 LEFI ‐‐ LEFI CONCEPCIÓN. 64 00:02:47,710 --> 00:02:51,080 SO, YOU FOUND THE BODY, LEFI CONCEPCIÓN? 65 00:02:51,110 --> 00:02:53,040 RANG, KNOCKED, THEN I LET MYSELF IN. 66 00:02:53,080 --> 00:02:54,350 WHAT GOT YOU HERE? 67 00:02:54,380 --> 00:02:57,010 TOILET LEAK. SHE SAID, "BE HERE 9:00 A. M. EXACT." 68 00:02:57,050 --> 00:02:58,280 9:01, I WOULD’VE HEARD ABOUT IT. 69 00:02:58,320 --> 00:02:59,790 SHE LIVE ALONE? 70 00:02:59,820 --> 00:03:02,220 WITH HER HUSBAND ‐‐ A LAWYER, ALWAYS WORKING. 71 00:03:02,250 --> 00:03:03,280 YOU KNOW IF THEY FOUGHT? 72 00:03:03,320 --> 00:03:05,520 MRS. KOPEK? SHE FOUGHT WITH EVERYONE. 73 00:03:05,560 --> 00:03:08,530 YOU PUTTIN’ DOWN TILES? 74 00:03:08,560 --> 00:03:09,690 SHE HIRED AN ILLEGAL FOR THAT. 75 00:03:09,730 --> 00:03:11,530 WHO? 76 00:03:11,560 --> 00:03:12,590 ORLANDO SOMETHING. WE DIDN’T TALK. 77 00:03:12,630 --> 00:03:14,360 GLUE’S WET. GUY LEFT IN A HURRY. 78 00:03:14,400 --> 00:03:16,230 WHERE WE GONNA FIND THIS ORLANDO? 79 00:03:16,270 --> 00:03:18,210 WE DIDN’T TALK. I GOT THAT PART. 80 00:03:18,240 --> 00:03:20,550 NO IDEA, BUT HE PROBABLY DID THIS. 81 00:03:20,570 --> 00:03:23,570 HE’S MEXICAN. AND YOU’RE WHAT, SWEDISH? 82 00:03:23,610 --> 00:03:25,640 PUERTO RICAN. I’M AN AMERICAN. 83 00:03:25,680 --> 00:03:27,720 ACCORDING TO WHO, THE MISS AMERICA PAGEANT? 84 00:03:27,750 --> 00:03:30,290 I GUESS I MISSED THAT 51st STAR ON THE FLAG. 85 00:03:30,310 --> 00:03:32,280 WE’LL BE IN TOUCH IF WE HAVE SOME QUESTIONS. 86 00:03:35,520 --> 00:03:38,050 GOING THROUGH A LITTLE ADJUSTMENT PERIOD? 87 00:03:38,090 --> 00:03:39,760 DOES IT SHOW? 88 00:04:58,370 --> 00:04:59,400 THANKS. 89 00:04:59,440 --> 00:05:00,880 THE LIEUTENANT’S BACK. 90 00:05:00,910 --> 00:05:02,150 YEAH, I SEE THAT. 91 00:05:02,170 --> 00:05:03,340 WHERE’S JONES AND MEDAVOY? 92 00:05:03,370 --> 00:05:05,410 THEY’RE RESPONDING TO A D. O. A. ON HESTER. 93 00:05:06,910 --> 00:05:07,980 WELCOME BACK, LIEU. 94 00:05:08,010 --> 00:05:09,210 THANKS. 95 00:05:09,250 --> 00:05:10,760 YEAH, HI. 96 00:05:10,780 --> 00:05:13,650 I NEED TO SCHEDULE A CHECKUP FOR MICHELLE McDOWELL. 97 00:05:13,690 --> 00:05:15,160 WHAT’S GOING ON WITH YOUR CASE? 98 00:05:15,190 --> 00:05:16,490 HUSBAND’S ON HIS WAY IN. 99 00:05:16,520 --> 00:05:18,020 THE HANDYMAN THEY WERE USING WAS AN ILLEGAL. 100 00:05:18,060 --> 00:05:19,900 WE DON’T HAVE AN ADDRESS OR LAST NAME. 101 00:05:19,920 --> 00:05:21,890 WE’RE HOPING THE HUSBAND CAN POINT US TO HIM. 102 00:05:21,930 --> 00:05:23,330 SOUNDS GOOD. 103 00:05:23,360 --> 00:05:26,490 IS THERE ANY WAY WE CAN KIND OF NARROW DOWN THE TIME FRAME? 104 00:05:26,530 --> 00:05:29,060 ’CAUSE LAST TIME I WAITED AN HOUR TO SEE HIM. 105 00:05:31,200 --> 00:05:32,430 NO, I UNDERSTAND. 106 00:05:37,140 --> 00:05:39,340 BUSY ALREADY, HUH? 107 00:05:39,380 --> 00:05:40,850 YOU KNOW, STUFF BACKS UP. 108 00:05:40,880 --> 00:05:43,680 THE FUNERAL WAS TOUGH, I IMAGINE. 109 00:05:43,720 --> 00:05:45,090 SAD... 110 00:05:45,120 --> 00:05:46,760 SEEING HER FOLKS THAT WAY. 111 00:05:46,790 --> 00:05:48,130 GOOD PEOPLE. 112 00:05:48,150 --> 00:05:51,520 THE WORD I GAVE THE SQUAD WAS THAT IT WAS AN OLD FRIEND, 113 00:05:51,560 --> 00:05:53,200 AND YOU’RE NOT LOOKING TO REHASH. 114 00:05:53,220 --> 00:05:54,420 I APPRECIATE THAT. 115 00:05:54,460 --> 00:05:57,090 IF YOU NEED ANYTHING... 116 00:05:58,560 --> 00:06:00,230 IT MEANS A LOT... 117 00:06:00,260 --> 00:06:02,730 THAT, UH, I CAN RELY ON YOU. 118 00:06:27,430 --> 00:06:28,600 HEY. 119 00:06:28,630 --> 00:06:30,100 D.O.A.’s A BROTHER ‐‐ 120 00:06:30,130 --> 00:06:31,760 STABBED IN THE CHEST. 121 00:06:31,800 --> 00:06:32,800 BUM OVER HERE CALLED IT IN. 122 00:06:32,830 --> 00:06:35,060 THE GUY STINKS LIKE A GERMAN SHEPHERD. 123 00:06:35,100 --> 00:06:36,670 HOW’D HE WIND UP FINDING THE BODY? 124 00:06:36,700 --> 00:06:38,130 I DIDN’T GET THERE YET. 125 00:06:38,170 --> 00:06:40,570 YEAH, WELL, KEEP ENJOYING YOUR COFFEE THERE, LAUGHLIN. 126 00:06:40,610 --> 00:06:42,480 YEAH, DON’T WORRY ABOUT ALL THOSE PESKY DETAILS. 127 00:06:49,510 --> 00:06:52,110 ARTEZ FOSTER, WEST THIRD. 128 00:06:52,150 --> 00:06:54,920 HIS BLOOD’S DRY. HE’S BEEN HERE A WHILE. 129 00:06:54,950 --> 00:06:56,850 BUNCH OF PICNIC‐TYPE FOOD IN THE BACK. 130 00:06:56,890 --> 00:07:00,260 I GOT AN I. D. CARD HERE ‐‐ A CHARITY CALLED AMERIHOPE, 131 00:07:00,290 --> 00:07:02,320 MADE OUT TO, UH, OMAR GIVENS. 132 00:07:02,360 --> 00:07:04,660 LET’S TALK TO THIS GUY. 133 00:07:09,070 --> 00:07:13,380 HEY, AQUA‐LUNG. DETECTIVES MEDAVOY AND JONES. 134 00:07:13,400 --> 00:07:15,470 KEVIN GENZLER. EVERYBODY CALLS ME BONER. 135 00:07:15,510 --> 00:07:17,280 LET’S JUST STICK WITH KEVIN. 136 00:07:17,310 --> 00:07:18,870 SO, HOW’D YOU FIND THE BODY? 137 00:07:18,910 --> 00:07:21,510 WALKING BY, SAW HIM, CALLED 911. 138 00:07:21,550 --> 00:07:23,390 AND YOU WERE HERE BECAUSE... 139 00:07:23,410 --> 00:07:25,610 KIND OF IN BETWEEN RESIDENCES. 140 00:07:25,650 --> 00:07:27,180 TELL ME SOMETHING, KEVIN ‐‐ 141 00:07:27,220 --> 00:07:29,820 IF WE RUN THAT CAR FOR PRINTS, YOURS COMING UP? 142 00:07:29,850 --> 00:07:33,450 I FIGURED HE WAS SLEEPING IT OFF. 143 00:07:33,490 --> 00:07:34,790 DOOR WASN’T LOCKED. 144 00:07:34,830 --> 00:07:36,530 SO YOU JUST THOUGHT YOU’D HELP YOURSELF? 145 00:07:36,560 --> 00:07:37,830 TO THE FOOD IN THE BACKSEAT. 146 00:07:37,860 --> 00:07:40,060 I LAID OFF ONCE I SAW HE WAS DEAD. 147 00:07:40,100 --> 00:07:41,460 YOU GOT A RECORD, KEVIN? 148 00:07:41,500 --> 00:07:43,300 SOME MINOR POT STUFF. 149 00:07:43,330 --> 00:07:44,230 YOU’RE STICKING AROUND. 150 00:07:44,270 --> 00:07:45,300 WHY? 151 00:07:45,340 --> 00:07:46,810 WHY DO YOU THINK? 152 00:07:46,840 --> 00:07:48,670 HEY, LAUGHLIN, HOLD HIM, 153 00:07:48,710 --> 00:07:51,650 IF IT’S NOT TOO MUCH OF A PROBLEM. 154 00:07:51,680 --> 00:07:53,120 [ WHISTLES ] COME HERE. 155 00:08:04,460 --> 00:08:05,860 THANKS FOR COMING DOWN, MR. KOPEK. 156 00:08:05,890 --> 00:08:07,520 WE UNDERSTAND HOW DIFFICULT THIS IS, 157 00:08:07,560 --> 00:08:09,420 BUT YOU HELPING OUT’S IMPORTANT. 158 00:08:09,460 --> 00:08:10,990 I UNDERSTAND. 159 00:08:11,030 --> 00:08:12,330 WHEN DID YOU SEE YOUR WIFE LAST? 160 00:08:12,360 --> 00:08:13,330 LAST NIGHT. 161 00:08:13,360 --> 00:08:14,430 NOT THIS MORNING? 162 00:08:14,470 --> 00:08:15,910 WE KEEP SEPARATE BEDROOMS. 163 00:08:15,930 --> 00:08:18,200 I LEFT FOR THE OFFICE BEFORE SHE GOT UP. 164 00:08:18,240 --> 00:08:19,540 YOU TWO LIVE ALONE? 165 00:08:19,570 --> 00:08:20,940 YES...NOW. 166 00:08:20,970 --> 00:08:23,170 OUR SON MARSHALL MOVED OUT A FEW MONTHS AGO. 167 00:08:23,210 --> 00:08:25,220 NOTICE ANYTHING UNUSUAL ON YOUR WAY OUT? 168 00:08:25,240 --> 00:08:26,340 NO. 169 00:08:26,380 --> 00:08:27,790 YOUR WIFE HAVE ANY ENEMIES? 170 00:08:27,810 --> 00:08:29,550 ELAINE WAS DIFFICULT, TEMPERAMENTAL. 171 00:08:29,580 --> 00:08:30,950 IS THAT A YES? 172 00:08:30,980 --> 00:08:33,110 I CAN’T THINK OF ANYONE WHO WOULD DO THIS. 173 00:08:33,150 --> 00:08:34,450 SHE DIFFICULT TOWARDS YOU? 174 00:08:34,490 --> 00:08:36,130 I LEARNED TO LIVE WITH IT. 175 00:08:36,150 --> 00:08:38,220 BY KEEPING SEPARATE BEDROOMS, THINGS LIKE THAT? 176 00:08:38,260 --> 00:08:39,730 THAT’S RIGHT. 177 00:08:39,760 --> 00:08:41,860 AND WHAT TIME, EXACTLY, DID YOU SEE HER LAST? 178 00:08:41,890 --> 00:08:45,190 10:30. I DID SOME RESEARCH ONLINE TILL 2:00, THEN TO BED. 179 00:08:45,230 --> 00:08:48,230 GOT UP AT 6:00. BY 7:00, I WAS IN THE OFFICE. 180 00:08:48,270 --> 00:08:50,440 IF YOU NEED THIS VERIFIED, THE WEBSITE’S GOT A LOG, 181 00:08:50,470 --> 00:08:52,870 AND MY ASSISTANT WILL CONFIRM THE TIME I GOT IN. 182 00:08:52,900 --> 00:08:57,210 YOU’VE BEEN PREPARING FOR THIS, MR. KOPEK? TAKING NOTES? 183 00:08:57,240 --> 00:08:59,310 I KNOW A LITTLE BIT ABOUT INVESTIGATION PROCEDURES. 184 00:08:59,340 --> 00:09:00,540 I’M AN ATTORNEY. 185 00:09:00,580 --> 00:09:03,040 SO RECITING YOUR AGENDA, THAT WAS GIVING US A LITTLE LEG UP? 186 00:09:03,080 --> 00:09:05,710 TO RULE ME OUT SO THAT YOU CAN CONCENTRATE 187 00:09:05,750 --> 00:09:07,420 ON WHO ACTUALLY KILLED ELAINE. 188 00:09:07,450 --> 00:09:10,090 THERE’S A LITTLE GAP BETWEEN 2:00 AND 6:00 IN THE MORNING. 189 00:09:10,120 --> 00:09:11,390 I WAS SLEEPING. 190 00:09:11,420 --> 00:09:12,290 ANYBODY CONFIRM THAT? 191 00:09:12,320 --> 00:09:13,660 NO. 192 00:09:13,690 --> 00:09:16,390 I DIDN’T KILL MY WIFE. 193 00:09:16,430 --> 00:09:17,970 YOU GOT ANY CANDIDATES FOR WHO DID? 194 00:09:18,000 --> 00:09:19,740 THERE WAS A HANDYMAN DOING SOME TILE WORK. 195 00:09:19,760 --> 00:09:21,630 WHO NO ONE CAN SEEM TO FIND. 196 00:09:25,000 --> 00:09:28,400 ORLANDO MARQUEZ, 2015 AVENUE D. 197 00:09:28,440 --> 00:09:30,440 PRESTO. 198 00:09:30,470 --> 00:09:31,740 NOW, IF WE’RE FINISHED HERE, 199 00:09:31,780 --> 00:09:33,750 I’VE GOT SOME FUNERAL ARRANGEMENTS TO ATTEND TO. 200 00:09:33,780 --> 00:09:34,780 WE’LL BE IN TOUCH. 201 00:09:44,490 --> 00:09:45,790 HAVE A SEAT, OMAR. 202 00:09:49,360 --> 00:09:52,460 WE FOUND THIS CARD OF YOURS IN ARTEZ FOSTER’S TRUCK. 203 00:09:52,500 --> 00:09:54,340 COOL. I’VE BEEN LOOKING FOR THAT. 204 00:09:54,370 --> 00:09:57,010 HOW DO YOU KNOW ARTEZ? 205 00:09:57,040 --> 00:09:59,980 AMERIHOPE. WE’RE BOTH VOLUNTEERS. 206 00:10:00,000 --> 00:10:01,500 WHEN DID YOU SEE HIM LAST? 207 00:10:01,540 --> 00:10:04,370 AT THE BARBECUE YESTERDAY FOR THE KIDS. 208 00:10:04,410 --> 00:10:05,710 NOT AFTER? 209 00:10:05,740 --> 00:10:07,110 HE DROVE ME BACK TO BROOKLYN. 210 00:10:07,150 --> 00:10:08,950 THAT’S THE TYPE OF GUY HE IS, THOUGH. 211 00:10:08,980 --> 00:10:12,150 HE’D GIVE YOU THE LAST SHIRT OFF HIS BACK. 212 00:10:12,180 --> 00:10:14,450 AND WHERE WAS HE HEADED? DID HE SAY? 213 00:10:14,490 --> 00:10:16,060 THIS GIRL MAISHA IN SOHO. 214 00:10:16,090 --> 00:10:17,730 THEY’RE SEEING EACH OTHER, I GUESS. 215 00:10:19,720 --> 00:10:22,560 ARTEZ WAS FOUND DEAD IN HIS TRUCK THIS MORNING. 216 00:10:22,590 --> 00:10:24,130 WHAT? 217 00:10:24,160 --> 00:10:27,360 YEAH, AND YOU’RE THE LAST GUY WE PLACE WITH HIM. 218 00:10:27,400 --> 00:10:30,970 Y‐YOU’RE NOT THINKING ‐‐ 219 00:10:31,000 --> 00:10:32,530 WE’VE BEEN TIGHT SINCE THE DAY WE MET! 220 00:10:32,570 --> 00:10:35,570 ARTEZ TOOK ME UNDER HIS WING, LIKE I WAS HIS PROJECT. 221 00:10:35,610 --> 00:10:36,750 WHAT KIND OF PROJECT? 222 00:10:36,780 --> 00:10:39,080 HE MADE OUT A LIFE PLAN FOR ME. 223 00:10:39,110 --> 00:10:41,680 THAT’S WHAT HE CALLED THEM ‐‐ LIFE PLANS. 224 00:10:41,710 --> 00:10:43,680 ALL ABOUT POSITIVE THINKING, EATING RIGHT. 225 00:10:43,720 --> 00:10:46,890 IT DIDN’T TAKE, BUT THAT’S ALL ON ME. 226 00:10:46,920 --> 00:10:49,650 NOTHING MORE FROM ARTEZ AFTER HE DROPPED YOU OFF? 227 00:10:49,690 --> 00:10:50,990 NO. 228 00:10:51,020 --> 00:10:52,550 YOU NERVOUS ABOUT SOMETHING, OMAR? 229 00:10:52,590 --> 00:10:54,020 NO, WHY? 230 00:10:54,060 --> 00:10:56,390 ’CAUSE YOU’VE BEEN CHAIN‐SMOKING THOSE CANDIES. 231 00:10:56,430 --> 00:10:58,740 THEY’RE SUGARLESS. GIVE MY MOUTH SOMETHING TO DO. 232 00:10:58,760 --> 00:11:00,400 YEAH, HUH? 233 00:11:00,430 --> 00:11:02,860 ALL I CAN TELL YOU IS WHAT ANYONE WOULD TELL YOU, OKAY? 234 00:11:02,900 --> 00:11:04,770 ARTEZ WAS A HERO. 235 00:11:04,800 --> 00:11:07,840 AIN’T NO WAY ANYONE THAT KNEW HIM WOULD DO THIS. 236 00:11:07,870 --> 00:11:10,210 YOUR WHEREABOUTS FROM THE TIME HE DROPPED YOU OFF 237 00:11:10,240 --> 00:11:11,870 UNTIL THIS MORNING. 238 00:11:32,460 --> 00:11:33,860 HEY. 239 00:11:33,900 --> 00:11:36,630 NEITHER OF THEM FITS ORLANDO’S DESCRIPTION. 240 00:11:36,670 --> 00:11:37,800 APÚRATE! 241 00:11:37,840 --> 00:11:38,910 HEY, GRAB THOSE GUYS! 242 00:11:38,940 --> 00:11:39,880 THEY’RE NOT RUNNING FOR THEIR HEALTH. 243 00:11:39,900 --> 00:11:41,140 POLICE! STOP! 244 00:11:44,780 --> 00:11:46,080 FREEZE, ASSHOLE! 245 00:11:49,250 --> 00:11:50,460 [ DOOR CLOSES ] 246 00:11:54,790 --> 00:11:55,930 OPEN THE DOOR! 247 00:11:56,990 --> 00:11:58,620 LET’S GO! OPEN UP! 248 00:11:58,660 --> 00:11:59,770 MOMENTO. 249 00:11:59,790 --> 00:12:01,920 POLICÍA! ABRA LA PUERTA AHORA! 250 00:12:02,930 --> 00:12:04,300 ORLANDO MARQUEZ? 251 00:12:04,330 --> 00:12:05,330 NO. NO AQUÍ. 252 00:12:05,360 --> 00:12:06,430 HEY, HEY, HEY! 253 00:12:06,460 --> 00:12:08,100 POLICE! DON’T MOVE! 254 00:12:30,720 --> 00:12:31,650 SALTE. 255 00:12:31,690 --> 00:12:32,920 Sí. 256 00:12:32,960 --> 00:12:33,930 TU NOMBRE. 257 00:12:33,960 --> 00:12:35,490 ORLANDO MARQUEZ. 258 00:12:41,130 --> 00:12:42,660 WE GOT THOSE TWO GUYS. THEY’RE BOTH ILLEGAL. 259 00:12:42,700 --> 00:12:44,000 WHAT DO YOU WANT ME TO DO WITH THEM? 260 00:12:44,040 --> 00:12:45,110 GET THEM I. D.’d AND CUT THEM LOOSE. 261 00:12:45,140 --> 00:12:46,850 WE GOT WHO WE CAME FOR. 262 00:13:02,320 --> 00:13:04,150 ...PERO LO PERDÍ Y NO SÉ QUÉS LO QUE PASÓ. 263 00:13:04,190 --> 00:13:05,190 HE’S TRYING TO EXPLAIN A HOLDUP 264 00:13:05,220 --> 00:13:06,390 ON HIS GREEN‐CARD APPLICATION. 265 00:13:06,420 --> 00:13:10,660 YA BASTA, ORLANDO. NO SOMOS INMIGRACIÓN, OKAY? 266 00:13:10,700 --> 00:13:11,800 SIÉNTATE. 267 00:13:11,830 --> 00:13:12,960 YOU SPEAK ENGLISH? 268 00:13:13,000 --> 00:13:13,970 A LITTLE BIT. 269 00:13:14,000 --> 00:13:15,560 DO YOU KNOW ELAINE KOPEK? 270 00:13:15,600 --> 00:13:16,800 SHE CALL POLICE? 271 00:13:16,840 --> 00:13:18,510 I THE ONE HAVE TO CALL POLICE. 272 00:13:18,540 --> 00:13:20,310 WHY IS THAT? SHE NO PAY. 273 00:13:20,340 --> 00:13:24,040 I WORK 5 DAY, 10 HOURS EACH DAY ‐‐ NOTHING, NO MONEY. 274 00:13:24,080 --> 00:13:25,980 DID YOU GET IN A FIGHT WITH HER ABOUT IT? NO. 275 00:13:26,010 --> 00:13:27,410 WHAT, IT DIDN’T MAKE YOU UPSET? 276 00:13:27,450 --> 00:13:29,990 YES, BUT I ‐‐ WHAT’S SHE SAYING? 277 00:13:30,010 --> 00:13:33,150 NO. YOU FIRST, ORLANDO. 278 00:13:33,180 --> 00:13:34,320 WHAT HAPPENED THIS MORNING? 279 00:13:34,350 --> 00:13:35,850 I ASK FOR MONEY. 280 00:13:35,890 --> 00:13:38,030 SHE SAY, "WORK NO GOOD, TILE NO GOOD." 281 00:13:38,060 --> 00:13:41,030 I SAY, "YOU WANT TILE THIS WAY, SO IS THIS WAY." 282 00:13:41,060 --> 00:13:43,390 SHE YELL AND SCREAM, "STUPID IDIOT!" 283 00:13:43,430 --> 00:13:44,340 I WALK AWAY. 284 00:13:44,360 --> 00:13:46,430 YOU NEVER PUT YOUR HANDS ON MRS. KOPEK? 285 00:13:46,460 --> 00:13:48,100 WHAT IS SHE SAYING? 286 00:13:48,130 --> 00:13:50,270 SHE’S NOT SAYING ANYTHING, ORLANDO. 287 00:13:50,300 --> 00:13:51,500 SHE’S DEAD. 288 00:13:51,540 --> 00:13:52,780 NO. 289 00:13:52,800 --> 00:13:56,170 DID THE FIGHT MAYBE GET A LITTLE WORSE THAN YOU’RE SAYING? 290 00:13:56,210 --> 00:13:57,280 NO. 291 00:13:57,310 --> 00:14:00,180 SHE WAS CALLING YOU NAMES, KEEPING MONEY FROM YOU. 292 00:14:00,210 --> 00:14:01,580 MAKES SENSE YOU’D LOSE YOUR TEMPER. 293 00:14:01,610 --> 00:14:03,240 I WALK AWAY! 294 00:14:03,280 --> 00:14:05,250 LEAVING YOUR MONEY BEHIND AND YOUR TOOLS. 295 00:14:05,280 --> 00:14:08,350 ORLANDO, WE WANT TO HELP YOU, BUT YOU’RE NOT BEING HONEST. 296 00:14:08,390 --> 00:14:10,530 [ SIGHS ] 297 00:14:10,560 --> 00:14:12,460 FIRST, NO MY TOOLS. 298 00:14:12,490 --> 00:14:14,020 HER TOOLS, SO I LEAVE. 299 00:14:14,060 --> 00:14:16,060 SECOND, NO MONEY IS OKAY. 300 00:14:16,090 --> 00:14:19,030 BETTER THAN LISTEN "STUPID IDIOT." 301 00:14:19,060 --> 00:14:21,700 YOU’VE GOT AN ASSAULT CHARGE ON YOUR RECORD. 302 00:14:21,730 --> 00:14:23,360 MY SISTER. 303 00:14:23,400 --> 00:14:25,230 HER BOYFRIEND, HE STEAL FROM HER, 304 00:14:25,270 --> 00:14:26,900 SO I GO TO HIM, AND WE FIGHT. 305 00:14:26,940 --> 00:14:29,710 MRS. KOPEK HOLDING YOUR MONEY, THAT’S LIKE STEALING FROM YOU. 306 00:14:29,740 --> 00:14:32,110 MAKES SENSE FIGHTING OVER WHAT’S YOURS IN THE FIRST PLACE. 307 00:14:32,140 --> 00:14:32,970 NO. 308 00:14:33,010 --> 00:14:34,540 I WALK AWAY FROM HER. 309 00:14:34,580 --> 00:14:35,610 TO WHERE? 310 00:14:35,650 --> 00:14:38,090 TO HOME, MY WIFE, HER PARENTS. 311 00:14:38,120 --> 00:14:39,730 I NO EVEN ANGRY. 312 00:14:39,750 --> 00:14:41,580 I WALK AWAY. 313 00:14:41,620 --> 00:14:42,750 IN THE CAGE, ORLANDO. 314 00:14:42,790 --> 00:14:44,730 YOU’RE STICKING AROUND AWHILE. 315 00:14:44,760 --> 00:14:47,100 I’LL RUN IT FOR THE OTHERS. 316 00:14:48,760 --> 00:14:50,390 THANKS FOR COMING IN, MR. KOPEK. 317 00:14:50,430 --> 00:14:52,430 ARE YOU ALL RIGHT TO ANSWER A FEW QUESTIONS? 318 00:14:52,460 --> 00:14:55,060 DID YOU TALK TO THE ‐‐ THE HANDYMAN, THE TILE GUY? 319 00:14:55,100 --> 00:14:57,000 BECAUSE I KNOW SHE WAS HAVING TROUBLE WITH HIM. 320 00:14:57,040 --> 00:14:58,480 SHE MENTION THAT TO YOU? 321 00:14:58,500 --> 00:15:00,470 SHE WASN’T HAPPY WITH HIS WORK, 322 00:15:00,500 --> 00:15:02,900 AND THEY HAD WORDS OVER IT, FIGHTS. 323 00:15:02,940 --> 00:15:04,570 SHE EVER MENTION HIM THREATENING HER? 324 00:15:04,610 --> 00:15:05,940 NOT SPECIFICALLY. 325 00:15:05,980 --> 00:15:08,990 DID YOU TALK TO THE GUY? WHAT DID HE SAY? 326 00:15:09,010 --> 00:15:10,910 HE’S NOT LOOKING TOO GOOD FOR IT. 327 00:15:10,950 --> 00:15:12,510 ’CAUSE SHE SAID HE WAS NO GOOD. 328 00:15:12,550 --> 00:15:14,420 YOU MOVED OUT OF YOUR PARENTS’ APARTMENT RECENTLY? 329 00:15:14,450 --> 00:15:15,850 THREE MONTHS AGO. 330 00:15:15,890 --> 00:15:17,430 WHY’D YOU MOVE OUT? 331 00:15:17,460 --> 00:15:18,330 I GOT ENGAGED. 332 00:15:18,360 --> 00:15:19,970 I MOVED INTO WHAT’S GOING TO BE 333 00:15:19,990 --> 00:15:21,920 MY WIFE AND MY APARTMENT AFTER THE WEDDING. 334 00:15:21,960 --> 00:15:23,960 SO YOUR MOM AND DAD GOT ALONG? 335 00:15:24,000 --> 00:15:25,440 THEY GOT ALONG FINE. 336 00:15:25,460 --> 00:15:27,760 HOW LONG THEY BEEN SLEEPING IN SEPARATE BEDROOMS? 337 00:15:27,800 --> 00:15:28,960 AWHILE. 338 00:15:29,000 --> 00:15:29,930 DID THEY FIGHT A LOT? 339 00:15:29,970 --> 00:15:31,000 NO. 340 00:15:31,040 --> 00:15:32,140 DID HE EVER THREATEN HER? 341 00:15:32,170 --> 00:15:34,040 YOU’RE INSINUATING 342 00:15:34,070 --> 00:15:35,470 THAT MY DAD WAS INVOLVED IN THIS? 343 00:15:35,510 --> 00:15:36,450 WHAT DO YOU THINK? 344 00:15:36,470 --> 00:15:37,540 NO! 345 00:15:37,580 --> 00:15:38,880 WRONG. 346 00:15:38,910 --> 00:15:40,010 NO WAY. 347 00:15:40,040 --> 00:15:42,180 EVERYTHING BETWEEN THEM HAS BEEN FINE ‐‐ 348 00:15:42,210 --> 00:15:44,180 NONTRADITIONAL, BUT FINE? 349 00:15:44,220 --> 00:15:45,360 YES. 350 00:15:45,380 --> 00:15:48,050 HOW WAS YOUR RELATIONSHIP WITH YOUR MOM? 351 00:15:48,090 --> 00:15:51,460 I GOT ALONG WITH HER BETTER THAN ANYONE. 352 00:15:51,490 --> 00:15:53,020 I UNDERSTOOD HER. 353 00:15:53,060 --> 00:15:55,170 CAN YOU ACCOUNT FOR YOURSELF SINCE LAST NIGHT? 354 00:15:55,190 --> 00:15:57,130 [ Voice breaking ] OH, NOW YOU’RE ACCUSING ME? 355 00:15:57,160 --> 00:15:58,630 WE JUST NEED TO RULE YOU OUT. 356 00:15:58,660 --> 00:16:02,030 I WAS HOME. MY FIANCÉ WAS WITH ME ALL NIGHT. 357 00:16:02,070 --> 00:16:04,640 I WENT TO WORK AT 6:30 ‐‐ BENTON‐ARCHER. 358 00:16:04,670 --> 00:16:05,800 IT’S A BROKERAGE HOUSE. 359 00:16:05,840 --> 00:16:07,380 NAMES, NUMBERS SO WE CAN CONFIRM, 360 00:16:07,410 --> 00:16:08,710 THEN YOU’RE OUT OF HERE. 361 00:16:08,740 --> 00:16:11,970 A LOT OF NERVE YOU TWO HAVE GOT, A LOT OF BALLS. 362 00:16:12,010 --> 00:16:13,310 MY MOM GOT KILLED TODAY. 363 00:16:13,340 --> 00:16:15,240 WE’RE JUST TRYING TO FIND OUT WHO DID IT. 364 00:16:19,020 --> 00:16:20,730 WHERE YOU AT? 365 00:16:20,750 --> 00:16:23,350 WE GOT A STATEMENT FROM THE D. O. A.’s FAT FRIEND. 366 00:16:23,390 --> 00:16:25,500 I’M CHECKING OUT HIS ALIBI. 367 00:16:25,520 --> 00:16:27,490 BALDWIN’S BRINGING UP THE D. O. A.’s GIRLFRIEND, 368 00:16:27,530 --> 00:16:28,500 MAISHA HOUSTON. 369 00:16:28,530 --> 00:16:31,770 THE SON’S STEERING IT BACK TO THE HANDYMAN. 370 00:16:31,800 --> 00:16:35,440 COP SAYS HE ANSWERED 2 DOMESTIC DISTURBANCE CALLS RECENTLY 371 00:16:35,470 --> 00:16:37,080 AT THEIR RESIDENCE ‐‐ THE D. O. A. AND HER HUSBAND 372 00:16:37,100 --> 00:16:40,700 BASICALLY GOING AT EACH OTHERS’ THROATS. 373 00:16:40,740 --> 00:16:44,210 LEONARD KOPEK FILED FOR DIVORCE TWO MONTHS AGO. 374 00:16:44,240 --> 00:16:46,270 SO IS THE SON COVERING UP FOR THE DAD? 375 00:16:46,310 --> 00:16:47,680 THE SON WAS PLAYING IT PRETTY COY. 376 00:16:47,710 --> 00:16:49,180 COY? HOO‐HOO. 377 00:16:49,210 --> 00:16:51,050 GIVE THIS GUY A BOX OF CRACKER JACKS. 378 00:16:53,150 --> 00:16:54,880 YOU NEVER HEARD THE WORD "COY" BEFORE? 379 00:16:54,920 --> 00:16:56,450 TALK TO THE FATHER AGAIN. 380 00:17:04,330 --> 00:17:06,260 WERE YOU ATTACKED BY A KOI FISH AS A KID, 381 00:17:06,300 --> 00:17:08,540 OR IS THAT ABOUT SOMETHING ELSE? 382 00:17:08,570 --> 00:17:11,380 THEO’S WETTING HIS BED. WE DON’T KNOW WHAT TO DO. 383 00:17:11,400 --> 00:17:12,870 DON’T KIDS DO THAT? 384 00:17:12,900 --> 00:17:15,070 NOT WHEN THEY HAD THE PROBLEM BEAT FOR TWO YEARS. 385 00:17:15,110 --> 00:17:18,120 NEW SCHOOL, NEW ROOM. HE’LL ADJUST. 386 00:17:18,140 --> 00:17:20,640 I HOPE I DID RIGHT BY HIM WITH THIS MOVE. 387 00:17:20,680 --> 00:17:21,710 YOU KNOW YOU DID. 388 00:17:21,750 --> 00:17:23,420 YEAH. 389 00:17:32,490 --> 00:17:36,960 SO, MAISHA, YOU SAY THAT YOU AND ARTEZ WEREN’T DATING ANYMORE? 390 00:17:37,000 --> 00:17:38,770 NO, BUT WE WERE STILL CLOSE. 391 00:17:38,800 --> 00:17:41,070 HE WAS COMING BY TO HELP ME WITH MY RÉSUMÉ. 392 00:17:41,100 --> 00:17:42,400 WHEN WERE YOU EXPECTING HIM? 393 00:17:42,430 --> 00:17:46,070 BY 8:00. UNLIKE MOST MEN, ARTEZ KEPT HIS WORD. 394 00:17:46,100 --> 00:17:49,100 BY 8:15, I KNEW SOMETHING HAD HAPPENED. 395 00:17:49,140 --> 00:17:52,110 YOUR KNOWLEDGE, HE EVER DABBLE IN DRUGS? 396 00:17:52,140 --> 00:17:53,510 NO, NEVER. 397 00:17:53,550 --> 00:17:56,760 HE SOUNDS LIKE A GREAT GUY. WHY’D YOU BREAK UP? 398 00:17:56,780 --> 00:18:02,420 WELL, HE’D CATCH ME READING COSMO, SNEAKING AN OREO, 399 00:18:02,450 --> 00:18:05,420 AND I’D ‐‐ I’D GET THIS LOOK, LIKE I DISAPPOINTED HIM. 400 00:18:05,460 --> 00:18:07,270 "GARBAGE IN, GARBAGE OUT." 401 00:18:07,290 --> 00:18:08,960 THAT’S WHAT HE’D SAY ALL THE TIME. 402 00:18:08,990 --> 00:18:11,260 I COULDN’T MEET HIS STANDARDS. 403 00:18:11,300 --> 00:18:12,800 I COULDN’T DEAL WITH THE PRESSURE. 404 00:18:12,830 --> 00:18:14,800 ANYONE HAVE A BEEF WITH HIM? 405 00:18:14,830 --> 00:18:15,960 LOTS OF FOLKS WERE JEALOUS. 406 00:18:16,000 --> 00:18:19,100 "THEY CAN’T BE LIKE ME, SO THEY WANT TO SPITE ME." 407 00:18:19,140 --> 00:18:20,450 THAT’S WHAT HE’D SAY. 408 00:18:20,470 --> 00:18:23,940 NO, I’M THINKING MORE ALONG THE LINES OF AN ARGUMENT, 409 00:18:23,980 --> 00:18:24,950 SOMETHING RECENT. 410 00:18:24,980 --> 00:18:27,050 WE WERE AT THIS CLUB ONE TIME. 411 00:18:27,080 --> 00:18:30,550 ARTEZ SAW THIS GUY YELLING AT SOME GIRL. 412 00:18:30,580 --> 00:18:32,810 ARTEZ WENT OVER AND TOLD HIM TO LEAVE HER ALONE. 413 00:18:32,850 --> 00:18:36,220 THEY TOOK IT OUTSIDE, AND ARTEZ KICKED HIS ASS. 414 00:18:36,250 --> 00:18:38,290 WHEN WAS THIS? A YEAR AGO. 415 00:18:38,320 --> 00:18:41,020 RECENT. LOOKING FOR SOMETHING RECENT. 416 00:18:41,060 --> 00:18:44,830 WELL, ARTEZ DOES HAVE THIS, UM...SECOND COUSIN, 417 00:18:44,860 --> 00:18:46,290 A GUY NAMED ELIAS. 418 00:18:46,330 --> 00:18:48,130 HE’S BEEN IN PRISON. 419 00:18:48,170 --> 00:18:50,080 HAVE THEY BEEN HANGING OUT? 420 00:18:50,100 --> 00:18:51,900 ARTEZ WAS MENTORING HIM. 421 00:18:51,940 --> 00:18:54,880 MENTORING HIM OR STICKING HIS NOSE IN HIS BUSINESS? 422 00:18:56,540 --> 00:18:58,740 THAT’S A GOOD QUESTION. 423 00:19:07,350 --> 00:19:11,190 SORRY TO INTERRUPT YOUR MOURNING PERIOD. 424 00:19:11,220 --> 00:19:12,320 THE FUNERAL ARRANGEMENTS WERE MADE. 425 00:19:12,360 --> 00:19:13,500 MY SON’S WITH HIS FIANCéE. 426 00:19:13,520 --> 00:19:15,320 I DIDN’T SEE A POINT IN WASTING THE DAY. 427 00:19:15,360 --> 00:19:17,260 COPS EVER RESPOND TO A DOMESTIC DISTURBANCE 428 00:19:17,300 --> 00:19:18,770 AT YOUR APARTMENT, MR. KOPEK? 429 00:19:21,070 --> 00:19:22,510 RAISED VOICES WERE THE EXTENT OF IT. 430 00:19:22,530 --> 00:19:24,270 THE MORTONS THINK THE BUILDING’S A MAUSOLEUM. 431 00:19:24,300 --> 00:19:25,270 WHAT’D YOU FIGHT ABOUT? 432 00:19:25,300 --> 00:19:28,240 THIS IS SO TEDIOUS. 433 00:19:28,270 --> 00:19:30,010 HER FAULT, YOUR FAULT? 434 00:19:30,040 --> 00:19:33,410 THINGS JUST DIDN’T TURN OUT THE WAY EITHER OF US HOPED. 435 00:19:33,440 --> 00:19:34,910 OCCASIONALLY IT BOILED OVER. 436 00:19:34,950 --> 00:19:37,190 THAT WHY YOU FILED FOR DIVORCE? 437 00:19:37,220 --> 00:19:39,420 I WITHDREW THE PETITION. WHY? 438 00:19:39,450 --> 00:19:43,080 I’M 58. WE’VE BEEN TOGETHER SO LONG, I JUST... 439 00:19:43,120 --> 00:19:44,550 COULDN’T GO THROUGH WITH IT. 440 00:19:44,590 --> 00:19:47,090 PLUS, THINGS WOULD’VE BEEN PRETTY EXPENSIVE, RIGHT? 441 00:19:47,130 --> 00:19:48,600 HOW DARE YOU? 442 00:19:48,630 --> 00:19:51,470 THOSE PESKY FOUR HOURS YOU CAN’T ACCOUNT FOR 443 00:19:51,500 --> 00:19:52,870 ARE STARTING TO NAG AT US. 444 00:19:52,900 --> 00:19:54,810 ADD IN THE DOMESTIC DISTURBANCE CALLS 445 00:19:54,830 --> 00:19:56,530 AND BEING AT WORK THE DAY YOUR WIFE’S KILLED‐‐ 446 00:19:56,570 --> 00:19:59,300 I DID NOT KILL MY WIFE! 447 00:19:59,340 --> 00:20:01,250 YOU GOT AN INSURANCE POLICY WE SHOULD KNOW ABOUT? 448 00:20:01,270 --> 00:20:02,300 MISTRESS ON THE SIDE? 449 00:20:02,340 --> 00:20:05,770 I’M RETAINING COUNSEL. CONTACT ME ‐‐ 450 00:20:05,810 --> 00:20:08,410 SAVE IT. WE’LL LEAVE YOU ALONE WITH YOUR GRIEF. 451 00:20:15,750 --> 00:20:18,120 THANKS. 452 00:20:18,160 --> 00:20:21,170 YOU TALK TO LEONARD KOPEK? LAWYERED UP. 453 00:20:21,190 --> 00:20:23,490 D.O.A.’s PHONE DUMP JUST CAME BACK. 454 00:20:23,530 --> 00:20:26,240 A COUPLE DOZEN CALLS TO A HELEN ECKERY 455 00:20:26,260 --> 00:20:27,730 IN THE PAST FEW DAYS, ALL OF THEM SHORT. 456 00:20:27,770 --> 00:20:29,410 HELEN ‐‐ THAT’S THE SON’S FIANCéE. 457 00:20:29,430 --> 00:20:31,770 WE’LL GET HER IN. KEEP ME UP TO SPEED. 458 00:20:31,800 --> 00:20:33,270 YOU GOT A PHONE NUMBER FOR ECKERY? 459 00:20:33,300 --> 00:20:34,470 IN HERE. 460 00:20:36,470 --> 00:20:38,310 ANY PARTICULAR PAGE? 461 00:20:47,320 --> 00:20:49,480 ANDY... 462 00:20:52,120 --> 00:20:55,520 I COULDN’T HELP OVERHEARING YOUR CONVERSATION WITH JOHN BEFORE 463 00:20:55,560 --> 00:20:57,260 ABOUT THEO’S BED‐WETTING. 464 00:20:57,300 --> 00:20:59,040 IT REALLY GOT ME THINKING. 465 00:20:59,060 --> 00:21:00,100 DID IT? 466 00:21:00,130 --> 00:21:01,260 YEAH. 467 00:21:01,300 --> 00:21:04,870 SO, UH, WHEN MY BROTHER CLIFFORD WAS BORN, 468 00:21:04,900 --> 00:21:08,770 I DEVELOPED A NASTY HABIT OF TAKING DUMPS ON THE FRONT LAWN. 469 00:21:08,810 --> 00:21:10,180 MEDAVOY. 470 00:21:10,210 --> 00:21:12,370 MY FOLKS WERE AT WITS’ END. 471 00:21:12,410 --> 00:21:14,780 THEY KEPT SENDING ME TO DOCTORS. 472 00:21:14,810 --> 00:21:17,110 DIAGNOSIS WAS IRRITABLE BOWEL SYNDROME. 473 00:21:17,150 --> 00:21:19,110 I’M DRINKING COFFEE HERE. 474 00:21:19,150 --> 00:21:21,620 POINT BEING... 475 00:21:21,650 --> 00:21:26,820 I WAS ACTING UP ON ACCOUNT OF CLIFFORD’S ARRIVAL. 476 00:21:26,860 --> 00:21:28,290 REGRESSIVE BEHAVIOR, THEY CALL IT. 477 00:21:28,330 --> 00:21:30,300 YOU SAYING THAT’S WHAT THEO’S DOING? 478 00:21:30,330 --> 00:21:31,560 ’CAUSE HE’S JEALOUS? 479 00:21:31,600 --> 00:21:33,670 SOMETHING HE MAY NOT EVEN BE CONSCIOUS OF. 480 00:21:33,700 --> 00:21:37,130 KIDS HIS AGE ARE USED TO BEING THE CENTER OF ATTENTION. 481 00:21:37,170 --> 00:21:40,540 BABY COMES, THAT’S OVER. 482 00:21:40,570 --> 00:21:41,800 WHAT’D YOUR FOLKS DO? 483 00:21:41,840 --> 00:21:44,640 THEY WAITED IT OUT. 484 00:21:44,680 --> 00:21:48,050 I CAUGHT ON I STILL HAD A PLACE IN THE FAMILY, 485 00:21:48,080 --> 00:21:50,710 FOUND MY WAY BACK TO THE CAN. 486 00:21:50,750 --> 00:21:53,150 HE’S... HE’S LIKE YOU, ANDY. 487 00:21:53,180 --> 00:21:57,320 SOMETHING NEW COMES UP, YOU ‐‐ YOU PISS ALL OVER IT, 488 00:21:57,360 --> 00:22:00,170 AND THEN, EVENTUALLY, YOU COME AROUND. 489 00:22:00,190 --> 00:22:02,390 I’M JUST SAYING. 490 00:22:02,430 --> 00:22:04,500 GIVE THEO SOME TIME. 491 00:22:04,530 --> 00:22:05,730 THANKS, MEDAVOY. 492 00:22:05,760 --> 00:22:06,960 YEAH. 493 00:22:10,940 --> 00:22:14,350 WE’RE LOOKING FOR LIEUTENANT RODRIGUEZ. 494 00:22:14,370 --> 00:22:16,810 MAY I ASK WHAT IT’S IN REFERENCE TO? 495 00:22:20,380 --> 00:22:21,410 [ DOOR CLOSES ] 496 00:22:22,710 --> 00:22:24,550 RAT SQUAD, I GUARANTEE YOU. 497 00:22:33,320 --> 00:22:35,420 WHO ARE THEY? 498 00:22:35,460 --> 00:22:37,730 HEY, YOU AROUND TONIGHT? 499 00:22:37,760 --> 00:22:38,830 UH, YEAH. 500 00:22:41,330 --> 00:22:42,730 JOHN... 501 00:22:48,970 --> 00:22:52,070 THIS IS SERGEANT SNYDER, DETECTIVE BECK, WITH I. A. B. 502 00:23:27,610 --> 00:23:29,110 WHAT THE HELL’S THAT? 503 00:23:30,980 --> 00:23:32,510 EVERYBODY STAY HERE. 504 00:23:52,000 --> 00:23:53,530 [ CAR LOCK BEEPS ] 505 00:23:53,570 --> 00:23:55,140 KNOCK YOURSELF OUT. 506 00:24:06,150 --> 00:24:08,620 [ WHIMPERS ] 507 00:24:08,650 --> 00:24:11,390 GOOD BOY. GOOD BOY. WE GOT SOMETHING. 508 00:24:11,420 --> 00:24:13,660 EXCUSE ME. 509 00:24:17,730 --> 00:24:20,660 THAT’S NOT MINE. THAT IS NOT MINE, MAN. 510 00:24:20,700 --> 00:24:22,160 YOU’RE UNDER ARREST FOR THE POSSESSION OF NARCOTICS. 511 00:24:22,200 --> 00:24:24,130 NO, THIS IS CRAZY. I’M TAKING YOUR FIREARM. 512 00:24:24,170 --> 00:24:25,970 COME ON, MAN. I DON’T KNOW HOW IT GOT THERE. 513 00:24:26,000 --> 00:24:28,470 HANDS BEHIND YOUR BACK. YOU DON’T NEED TO DO THAT. 514 00:24:28,510 --> 00:24:29,820 ALL RIGHT, THIS IS BULL! 515 00:24:29,840 --> 00:24:30,810 GOING BY THE BOOK, LIEUTENANT. 516 00:24:30,840 --> 00:24:33,640 SOMEBODY PLANTED DOPE IN MY CAR. 517 00:24:33,680 --> 00:24:35,210 DON’T CUFF HIM! 518 00:24:35,250 --> 00:24:36,490 PROCEDURE, LIEUTENANT. 519 00:24:36,510 --> 00:24:37,880 YOU KNOW YOU DON’T HAVE TO DO THAT! 520 00:24:37,920 --> 00:24:39,830 DON’T YOU GET YOURSELF IN A JACKPOT, TOO. 521 00:24:39,850 --> 00:24:41,850 THIS KID DOESN’T DO DRUGS! 522 00:24:41,890 --> 00:24:44,530 JOHN, I’LL CALL THE UNION, GET YOU A LAWYER. 523 00:24:46,190 --> 00:24:47,590 [ ENGINE TURNS OVER ] 524 00:25:07,980 --> 00:25:10,110 WHAT ARE WE TALKING ABOUT ‐‐ A BRICK, A BAGGIE? 525 00:25:10,150 --> 00:25:11,010 HOW MUCH HEROIN? 526 00:25:11,050 --> 00:25:12,680 WHY DON’T THEY ANSWER THE PHONE? 527 00:25:12,720 --> 00:25:15,560 LIEU, YOU GOT SOME PRIVATE LINE TO THE UNION? 528 00:25:15,590 --> 00:25:17,030 I’LL GET ON IT. 529 00:25:17,060 --> 00:25:18,600 IS IT SOMETHING THAT COULD’VE FALLEN OUT OF AN EVIDENCE BAG? 530 00:25:18,620 --> 00:25:20,020 UNBELIEVABLE! 531 00:25:20,060 --> 00:25:21,960 DIDN’T FALL OUT OF ANYTHING. SOMEBODY PUT IT THERE. 532 00:25:21,990 --> 00:25:23,630 YOU GET HAYWOOD ON THE PHONE YET? 533 00:25:23,660 --> 00:25:25,190 SHE’S OUT OF HER OFFICE. 534 00:25:25,230 --> 00:25:27,530 THERE’S NO ANSWER FROM HER CELL PHONE OR PAGER. 535 00:25:27,570 --> 00:25:29,040 FIND SOMEONE WHO WILL GET A MESSAGE TO HER. 536 00:25:29,070 --> 00:25:31,140 I WANT HIS REP AND A LAWYER AT I. A. B. 537 00:25:31,170 --> 00:25:34,540 THEY PUT HIM IN CUFFS LIKE HE’S SOME KIND OF SKEL. 538 00:25:34,570 --> 00:25:36,640 I GOT THAT GUY YOU WANTED ‐‐ ELIAS DOWNING. 539 00:25:36,680 --> 00:25:37,880 PUT HIM IN A ROOM. 540 00:25:37,910 --> 00:25:39,580 WHICH ONE? PICK ONE. 541 00:25:42,980 --> 00:25:45,150 IT’S THAT D. O. A.’s COUSIN DID SOME TIME. 542 00:25:45,180 --> 00:25:46,150 THEY HANG OUT TOGETHER. 543 00:25:46,180 --> 00:25:47,880 TAKE HIM. HEY, BOSS ‐‐ 544 00:25:47,920 --> 00:25:49,720 I’LL GET ON JOHN’S REP AND LAWYER. 545 00:25:49,750 --> 00:25:51,050 EVERYBODY ELSE, GET BACK TO WORK. 546 00:25:51,090 --> 00:25:54,060 I.A.B. JUST HAULED OUT ONE OF YOUR DETECTIVES. 547 00:25:54,090 --> 00:25:55,720 IT’LL BE A WHILE BEFORE THEY INTERVIEW HIM. 548 00:25:55,760 --> 00:25:57,630 TILL THEN, THERE’S NOTHING WE CAN DO. 549 00:25:57,660 --> 00:25:58,890 TALK TO THIS COUSIN. 550 00:25:58,930 --> 00:26:00,600 THE FIANCéE, MISS ECKERY‐‐ 551 00:26:00,630 --> 00:26:02,760 WHATEVER HER NAME IS‐‐ GET HER IN. 552 00:26:04,270 --> 00:26:06,640 IF YOU WANT TO STICK CLOSE TO THE SQUAD TODAY, 553 00:26:06,670 --> 00:26:07,770 I’LL UNDERSTAND. 554 00:26:07,810 --> 00:26:09,650 NO. I’LL BE ALL RIGHT. 555 00:26:10,880 --> 00:26:12,420 WHERE YOU GOING, ANDY? 556 00:26:12,440 --> 00:26:14,210 I GOT SOMEONE TO TALK TO. 557 00:26:21,890 --> 00:26:23,260 SORRY TO HEAR ABOUT YOUR PARTNER. 558 00:26:23,290 --> 00:26:25,100 I’D BE MORE SORRY FOR THE GUY WHO SET HIM UP. 559 00:26:25,120 --> 00:26:26,690 I WOULDN’T BE SO SURE ABOUT THAT. 560 00:26:26,730 --> 00:26:28,770 I HAD A COUSIN, STRAIGHT‐A STUDENT. 561 00:26:28,790 --> 00:26:30,930 FOUND OUT SHE HAD A $200‐A‐DAY HABIT. 562 00:26:30,960 --> 00:26:32,430 I WAS COMPLETELY BLINDSIDED. 563 00:26:32,460 --> 00:26:33,660 I’M GONNA FIND OUT. 564 00:26:33,700 --> 00:26:36,130 THERE’S NOTHING I WON’T DO TO FIND OUT. 565 00:26:36,170 --> 00:26:37,810 GOOD FOR YOU. 566 00:26:37,840 --> 00:26:41,810 AND WHEN I DO FIND OUT, IF IT COMES BACK TO YOU, LAUGHLIN, 567 00:26:41,840 --> 00:26:43,670 YOU BETTER PRAY THAT THERE’S PEOPLE IN THE ROOM 568 00:26:43,710 --> 00:26:45,270 WHEN I COME TO TAKE YOU IN. 569 00:26:45,310 --> 00:26:47,810 HEY, IF YOUR SMACKHEAD PARTNER WANTS SOMEONE TO BLAME, 570 00:26:47,850 --> 00:26:49,790 HE SHOULD TAKE A GOOD, LONG LOOK IN THE MIRROR. 571 00:26:49,810 --> 00:26:51,680 SO SHOULD YOU. MAYBE IF YOU HAD HIS BACK ‐‐ 572 00:26:53,480 --> 00:26:55,680 GO AHEAD. BLOW THAT PENSION. 573 00:26:55,720 --> 00:26:57,450 [ DOOR OPENS ] 574 00:26:57,490 --> 00:26:59,290 WHAT’S GOING ON? 575 00:26:59,320 --> 00:27:01,960 DETECTIVE SIPOWICZ HERE IS LOOKING FOR CONTRIBUTIONS 576 00:27:01,990 --> 00:27:04,030 TO THE JOHN CLARK LEGAL DEFENSE FUND. 577 00:27:04,060 --> 00:27:05,090 I PASSED. 578 00:27:11,200 --> 00:27:12,970 WHO’S IN CHARGE HERE? YOU GUYS? 579 00:27:13,000 --> 00:27:14,470 WHO CAN TELL ME WHY I GOT HAULED IN HERE? 580 00:27:14,510 --> 00:27:17,550 WE FOUND YOUR PRINTS INSIDE A CAR BELONGING TO ARTEZ FOSTER. 581 00:27:17,580 --> 00:27:19,180 YEAH, SO? 582 00:27:19,210 --> 00:27:20,210 HOW DO YOU KNOW ARTEZ? 583 00:27:20,240 --> 00:27:21,040 WE’RE COUSINS. 584 00:27:21,080 --> 00:27:22,340 WHERE WERE YOU LAST NIGHT, EDDIE? 585 00:27:22,380 --> 00:27:25,550 EDDIE? MY NAME’S ELIAS. AND I WAS HOME. 586 00:27:25,580 --> 00:27:27,050 ANYONE WITH YOU? 587 00:27:27,090 --> 00:27:29,490 JUST MY BED. THIS HOUSE PARTY WENT THREE DAYS. 588 00:27:29,520 --> 00:27:30,720 I WAS SLEEPING IT OFF. 589 00:27:30,760 --> 00:27:32,230 WHEN’D YOU SEE ARTEZ LAST? 590 00:27:32,260 --> 00:27:34,370 WHY? ’CAUSE WE’RE ASKIN’. 591 00:27:34,390 --> 00:27:36,320 YOU ANSWER A QUESTION WITH A QUESTION AGAIN, 592 00:27:36,360 --> 00:27:38,090 WE’LL GIVE YOU SOMETHING ELSE TO SLEEP OFF. 593 00:27:38,130 --> 00:27:39,390 HAVEN’T SEEN HIM IN WEEKS. 594 00:27:39,430 --> 00:27:40,830 WELL, YOU GOT TROUBLE, ELIAS, 595 00:27:40,870 --> 00:27:42,870 ’CAUSE ARTEZ WAS FOUND DEAD THIS MORNING. 596 00:27:45,700 --> 00:27:46,740 DAMN. 597 00:27:47,940 --> 00:27:49,500 NOW, WHERE WERE YOU LAST NIGHT? 598 00:27:49,540 --> 00:27:51,510 I ALREADY TOLD YOU. 599 00:27:51,540 --> 00:27:54,010 YOU AND ARTEZ TIGHT? 600 00:27:54,050 --> 00:27:55,520 I PARTED WAYS WITH THAT FOOL. 601 00:27:55,550 --> 00:27:57,760 YOU SOUND PRETTY BROKEN UP. YOU TWO HAD A FALLING‐OUT? 602 00:27:57,780 --> 00:27:59,280 NEVER HAD A FALLING‐IN. 603 00:27:59,320 --> 00:28:00,460 I GET OUT OF JAIL, 604 00:28:00,480 --> 00:28:03,450 MY MOM ASKS HIS MOM COULD HE LOOK OUT FOR ME. 605 00:28:03,490 --> 00:28:04,860 DID HE? 606 00:28:04,890 --> 00:28:08,190 FREAK WAKED ME UP TO GO JOGGING, TAKE ME TO MY P. O., 607 00:28:08,230 --> 00:28:10,540 GIVE ME BOOKS TO READ ‐‐ THAT SELF‐ENLIGHTENMENT CRAP. 608 00:28:10,560 --> 00:28:12,030 BUT THE DUDE TURNED MOTHER HEN. 609 00:28:12,060 --> 00:28:14,230 GET TO WHAT HAPPENED THE LAST TIME YOU SAW HIM. 610 00:28:14,270 --> 00:28:16,810 COMING BACK FROM THIS OUTLET MALL, WE HIT THIS DINER. 611 00:28:16,840 --> 00:28:18,610 I WASN’T HUNGRY, BUT ‐‐ 612 00:28:18,640 --> 00:28:19,710 COME ON! WHAT HAPPENED?! 613 00:28:19,740 --> 00:28:22,040 I ORDER A JACK AND COKE, 614 00:28:22,070 --> 00:28:24,210 HE STARTS ON HOW BOOZE IS THE DEVIL’S URINE. 615 00:28:24,240 --> 00:28:27,240 "GARBAGE IN, GARBAGE OUT." THAT WAS HIS BIG LINE. 616 00:28:27,280 --> 00:28:30,550 ALL SHE WROTE. I TOLD HIM TO KISS MY ASS. 617 00:28:30,580 --> 00:28:31,710 AND THIS WAS WHEN? 618 00:28:31,750 --> 00:28:34,550 I TOLD YOU ‐‐ WEEKS AGO. 619 00:28:34,590 --> 00:28:35,930 ME AND HIM WAS DONE. 620 00:28:37,920 --> 00:28:39,390 GET IN. WHY? 621 00:28:39,420 --> 00:28:42,260 ’CAUSE YOUR ATTITUDE SUCKS, YOUR ALIBI SUCKS. 622 00:28:42,290 --> 00:28:44,490 AND UNTIL WE CLEAR YOU, YOU’RE COOLING OFF IN HERE. 623 00:28:47,330 --> 00:28:49,400 THEN COULD I GET A MESSAGE TO HIM? 624 00:28:49,430 --> 00:28:52,070 THEN COULD I GET A MESSAGE TO SERGEANT MARTENS? 625 00:28:52,100 --> 00:28:54,300 I KNOW HE’S NOT THERE. I WANT TO LEAVE A MESSAGE. 626 00:28:54,340 --> 00:28:56,770 YOU KNOW WHAT‐‐ I’LL CALL BACK. 627 00:28:56,810 --> 00:28:58,640 UNION REP’S ON HIS WAY TO I. A. B. 628 00:28:58,680 --> 00:28:59,920 LAWYER? 629 00:28:59,940 --> 00:29:01,010 DETECTIVES’ ENDOWMENT ASSOCIATION’S 630 00:29:01,050 --> 00:29:02,190 GONNA GET HIM A LAWYER. 631 00:29:02,210 --> 00:29:05,080 I DON’T WANT SOME HALF‐ASS D. E. A. LAWYER. 632 00:29:05,120 --> 00:29:08,190 I’LL CALL VALERIE. ANY CHANCE OF SEEING HIM? 633 00:29:08,220 --> 00:29:10,350 THEY BARELY ACKNOWLEDGE HE’S IN THEIR BUILDING. 634 00:29:10,390 --> 00:29:11,920 WHAT’S UP? 635 00:29:11,960 --> 00:29:13,260 I’M TRYING TO REMEMBER THE NAME 636 00:29:13,290 --> 00:29:15,120 OF THIS REAL SHARK DEFENSE ATTORNEY. 637 00:29:15,160 --> 00:29:18,160 HE TORE ME TO PIECES ON THE STAND ONCE. 638 00:29:18,200 --> 00:29:20,510 M.E. ON YOUR CASE. AUTOPSY ON ARTEZ 639 00:29:20,530 --> 00:29:23,530 SHOWS SHORTENING, MUSTARD, AND CHOCOLATE IN HIS CHEST WOUND. 640 00:29:23,570 --> 00:29:24,830 MEANING WHAT? 641 00:29:24,870 --> 00:29:26,200 THE KNIFE THAT KILLED HIM 642 00:29:26,240 --> 00:29:28,350 SAW A LOT OF ACTION AT THE PICNIC TABLE. 643 00:29:28,370 --> 00:29:30,840 THAT HELP US? WE GOT SOMEBODY TO TALK TO. 644 00:29:30,880 --> 00:29:34,390 CAN YOU LODGE ELIAS DOWNING? HE’S DOWNSTAIRS. 645 00:29:34,410 --> 00:29:37,950 YEAH, I REMEMBER IT RHYMED OR SOMETHING. 646 00:29:37,980 --> 00:29:41,450 DAN DAVIS. THAT’S IT. REAL SHARK. 647 00:29:41,490 --> 00:29:44,160 WE’RE WORKING ON A LAWYER. YOU WORK YOUR CASE. 648 00:29:50,330 --> 00:29:54,960 HELEN ECKERY TO SEE CONNIE McDOWELL OR RITA ORTEZ. 649 00:29:55,000 --> 00:29:57,130 IT’S ORTIZ. THIS WAY, HELEN. 650 00:29:57,170 --> 00:29:58,470 SHOULDN’T I COME, TOO? 651 00:29:58,500 --> 00:29:59,470 THIS WON’T TAKE LONG. 652 00:29:59,500 --> 00:30:00,640 I’D LIKE TO BE THERE. 653 00:30:00,670 --> 00:30:02,840 I DON’T WANT THEM BADGERING YOU LIKE THEY DID TO ME. 654 00:30:02,870 --> 00:30:06,010 MARSHALL, WOULD YOU GET A SODA? 655 00:30:08,850 --> 00:30:11,590 Irvin: I’LL SHOW YOU TO THE MACHINE. 656 00:30:11,620 --> 00:30:13,190 THIS WAY. 657 00:30:21,560 --> 00:30:25,430 SO, HELEN, HOW’D YOU GET ALONG WITH MRS. KOPEK? 658 00:30:27,530 --> 00:30:28,660 FINE. 659 00:30:28,700 --> 00:30:31,330 YOU HAVE TO THINK ABOUT IT? 660 00:30:31,370 --> 00:30:32,730 I’M DISTRACTED. ROUGH DAY. 661 00:30:32,770 --> 00:30:36,870 WE RAN HER PHONE RECORDS AND FOUND 16 SHORT CALLS TO YOU. 662 00:30:36,910 --> 00:30:38,440 WHAT ABOUT? WEDDING ARRANGEMENTS. 663 00:30:38,480 --> 00:30:40,020 YOU WERE PLANNING THE WEDDING TOGETHER? 664 00:30:40,040 --> 00:30:41,510 THAT’S WHAT SHE THOUGHT. 665 00:30:41,550 --> 00:30:43,190 YOU DIDN’T GET ALONG SO GREAT, DID YOU? 666 00:30:43,210 --> 00:30:45,350 THERE’S A WORD TO DESCRIBE ELAINE KOPEK. 667 00:30:45,380 --> 00:30:48,080 I WON’T SPEAK IT, BUT IT STARTS WITH A "C." 668 00:30:48,120 --> 00:30:49,420 HOW’D SHE SHOW IT? 669 00:30:49,450 --> 00:30:52,350 AGGRESSIVELY BUTTING INTO MY WEDDING PLANS, 670 00:30:52,390 --> 00:30:55,190 POSSESSIVENESS OVER MARSHALL, HATRED OF ME, 671 00:30:55,230 --> 00:30:56,770 AND DERIDING MY FAMILY, 672 00:30:56,800 --> 00:31:00,040 WHO HAPPEN TO OUTSHINE HERS LIKE THE SUN TO A LIGHTBULB. 673 00:31:00,060 --> 00:31:02,760 SHE WAS A BIG, FAT "C." 674 00:31:02,800 --> 00:31:04,370 WHEN’S THE LAST TIME YOU SAW HER? 675 00:31:04,400 --> 00:31:05,430 TWO WEEKS AGO. 676 00:31:05,470 --> 00:31:06,770 YOU WEREN’T THERE THIS MORNING? 677 00:31:06,810 --> 00:31:09,050 GOD, NO. WE’LL FIND OUT ABOUT IT. 678 00:31:09,070 --> 00:31:11,740 YOU THINK I KILLED ELAINE? PLEASE. 679 00:31:11,780 --> 00:31:14,090 I WOULDN’T WASTE MY TIME. 680 00:31:14,110 --> 00:31:16,080 I WOULDN’T WASTE TIME I’D STOLEN FROM A BUM. 681 00:31:16,110 --> 00:31:18,050 ACCOUNT FOR YOUR LAST 24 HOURS. 682 00:31:18,080 --> 00:31:20,080 AT MY APARTMENT. 683 00:31:20,120 --> 00:31:21,480 THE ONE YOU SHARE WITH MARSHALL? 684 00:31:21,520 --> 00:31:24,090 NO. "CAN’T COHABITATE UNTIL AFTER THE WEDDING." 685 00:31:24,120 --> 00:31:26,720 ANOTHER BIT OF ELAINE NONSENSE MARSHALL CAPITULATED TO. 686 00:31:26,760 --> 00:31:28,420 I WAS AT MY APARTMENT. 687 00:31:28,460 --> 00:31:29,630 ANYONE VOUCH FOR THAT? 688 00:31:29,660 --> 00:31:33,430 MY BROTHER AND HIS WIFE. THEY’RE IN FROM RADNOR. 689 00:31:35,930 --> 00:31:38,000 MARSHALL GET ALONG WELL WITH HIS MOTHER? 690 00:31:38,040 --> 00:31:40,750 TOO WELL. IT INTERFERED. 691 00:31:40,770 --> 00:31:43,670 HAS IT BEEN ESCALATING RECENTLY WITH THE WEDDING AND ALL? 692 00:31:43,710 --> 00:31:44,810 I SUPPOSE. 693 00:31:44,840 --> 00:31:47,740 I MEAN, I CAN’T TELL YOU HOW MANY TIMES I TOLD HIM, 694 00:31:47,780 --> 00:31:49,010 "HER OR ME." 695 00:31:49,050 --> 00:31:50,090 WHEN’D YOU SAY IT LAST? 696 00:31:50,110 --> 00:31:51,550 TWO DAYS AGO. 697 00:31:55,020 --> 00:31:58,450 OH, COME ON. MARSHALL KILLING HIS MOTHER? 698 00:31:58,490 --> 00:32:00,420 NOT POSSIBLE, LADIES. 699 00:32:00,460 --> 00:32:01,860 CAN YOU ACCOUNT FOR HIM THIS MORNING? 700 00:32:01,890 --> 00:32:02,920 HE WAS AT HOME. 701 00:32:02,960 --> 00:32:05,160 HE SAID HE WAS WITH YOU. 702 00:32:15,310 --> 00:32:18,350 SO YOUR POSITION IS HEROIN JUST APPEARED IN YOUR VEHICLE? 703 00:32:18,380 --> 00:32:20,820 I’LL SAY IT AGAIN. IT’S NOT MINE. 704 00:32:20,850 --> 00:32:22,850 I HAVE NO IDEA HOW IT GOT THERE. 705 00:32:22,880 --> 00:32:25,850 LOOK, IF YOU’RE COVERING FOR A FRIEND OR A FAMILY MEMBER ‐‐ 706 00:32:25,880 --> 00:32:27,120 I’M NOT. 707 00:32:27,150 --> 00:32:30,290 YOU KNOW HOW THIS WORKS, DETECTIVE ‐‐ 708 00:32:30,320 --> 00:32:33,120 ABSENT PROOF THAT SOMEONE STASHED HEROIN IN YOUR CAR, 709 00:32:33,160 --> 00:32:34,370 THEN IT’S ON YOU. 710 00:32:34,390 --> 00:32:36,360 LOOK AT A UNIFORM NAMED ED LAUGHLIN. 711 00:32:36,390 --> 00:32:37,730 A COP? 712 00:32:37,760 --> 00:32:39,630 WHO’S BEEN BUTTING HEADS WITH ME EVER SINCE I GOT TO THE 15th. 713 00:32:39,660 --> 00:32:40,800 HE EVER THREATEN YOU? 714 00:32:40,830 --> 00:32:44,630 YEAH. I MEAN, NOTHING SPECIFIC, BUT THERE’S BAD BLOOD. 715 00:32:44,670 --> 00:32:45,500 ASK AROUND. 716 00:32:47,710 --> 00:32:50,520 I’M GONNA GET A FAIR SHAKE NOW. 717 00:32:50,540 --> 00:32:53,910 DETECTIVE CLARK WAS JUST EXPLAINING TO US 718 00:32:53,950 --> 00:32:55,820 HOW A COP SET HIM UP. 719 00:32:55,850 --> 00:32:57,920 I’M ALL EARS. 720 00:32:57,950 --> 00:32:59,180 THIS IS A WASTE OF TIME. 721 00:32:59,220 --> 00:33:01,730 LOSE THE ATTITUDE AND TELL US ABOUT THIS COP. 722 00:33:01,750 --> 00:33:03,320 ED LAUGHLIN. 723 00:33:03,350 --> 00:33:05,020 HE’S A UNIFORM. YOU KNOW WHO HE IS. 724 00:33:05,060 --> 00:33:06,670 AND YOU’RE SAYING HE FRAMED YOU? 725 00:33:06,690 --> 00:33:08,990 I’M SAYING HE’S WHO YOU SHOULD BE LOOKING AT. 726 00:33:09,030 --> 00:33:10,840 ANY PROOF OF HIS INVOLVEMENT? 727 00:33:10,860 --> 00:33:12,990 I KICKED HIS ASS IN A SMOKER, 728 00:33:13,030 --> 00:33:14,530 I MADE HIM PUT IN HIS PAPERS 729 00:33:14,570 --> 00:33:16,780 FOR SLEEPING WITH THAT AUXILIARY COP. 730 00:33:16,800 --> 00:33:19,530 BUT NOW HE’S BACK ON THE JOB, AND HE STILL THINKS I SQUEALED. 731 00:33:19,570 --> 00:33:21,100 ANY DIRECT PROOF? 732 00:33:21,140 --> 00:33:23,270 YOU TELL ME. 733 00:33:23,310 --> 00:33:26,050 OR DID THAT IDEA TO SEARCH MY CAR JUST COME TO YOU? 734 00:33:26,080 --> 00:33:27,520 LET’S TALK ABOUT YOU, DETECTIVE. 735 00:33:27,550 --> 00:33:30,190 WHEN’S THE LAST TIME YOU VOUCHERED NARCOTICS? 736 00:33:30,210 --> 00:33:32,380 A FEW MONTHS AGO ON THAT MONEY‐T BUST. 737 00:33:32,420 --> 00:33:34,090 WHAT QUANTITY WAS INVOLVED? 738 00:33:34,120 --> 00:33:35,620 60‐SOMETHING KILOS. 739 00:33:35,650 --> 00:33:37,020 HEROIN, RIGHT? 740 00:33:37,060 --> 00:33:38,530 I WAS NEVER ALONE WITH IT. 741 00:33:38,560 --> 00:33:41,370 TALK TO DETECTIVES SIPOWICZ, McDOWELL, ORTIZ. 742 00:33:41,390 --> 00:33:42,920 THEY’LL VERIFY THAT. 743 00:33:42,960 --> 00:33:45,860 IF YOU HAVE A SUBSTANCE ABUSE PROBLEM, 744 00:33:45,900 --> 00:33:47,210 NOW’S THE TIME TO TELL US. 745 00:33:47,230 --> 00:33:48,460 YOU GOTTA BE KIDDING ME. 746 00:33:48,500 --> 00:33:50,900 YOU UNDER ANY TYPE OF FINANCIAL PRESSURE, DETECTIVE? 747 00:33:50,940 --> 00:33:53,240 THIS IS CRAP. YOU’RE NOT HELPING YOURSELF HERE. 748 00:33:53,270 --> 00:33:54,900 WELL, LET ME HELP YOU. 749 00:33:54,940 --> 00:33:57,310 I DON’T HAVE A DRUG PROBLEM OR A PERSONAL PROBLEM 750 00:33:57,340 --> 00:34:00,540 OR A FINANCIAL PROBLEM OR ANY PROBLEM EXCEPT BEING SET UP. 751 00:34:00,580 --> 00:34:01,410 GOT IT? 752 00:34:05,620 --> 00:34:07,660 DETECTIVE, WE’LL NEED A URINE SAMPLE. 753 00:34:07,690 --> 00:34:10,530 BE ADVISED IF YOU REFUSE, WE’LL SEEK A COURT ORDER. 754 00:34:13,090 --> 00:34:14,520 YEAH. FINE. 755 00:34:35,680 --> 00:34:37,580 I GOT NO PATIENCE FOR YOU, MARSHALL, 756 00:34:37,620 --> 00:34:39,960 SO STICK TO BEING HONEST, THIS WILL BE PAINLESS. 757 00:34:39,980 --> 00:34:42,750 MEANING IT COULD BE PAINFUL? WHAT’S GOING ON? 758 00:34:42,790 --> 00:34:44,760 YOU WEREN’T WITH YOUR FIANCéE THIS MORNING. 759 00:34:44,790 --> 00:34:45,850 YES, I WAS. 760 00:34:45,890 --> 00:34:47,260 YOU WERE WITH YOUR MOM. NO. 761 00:34:47,290 --> 00:34:48,420 NOW IS THE TIME TO TELL THE TRUTH. 762 00:34:48,460 --> 00:34:50,560 DID YOU EVEN TALK TO THE TILE GUY? 763 00:34:53,300 --> 00:34:55,770 I HAVE HAD A FRUSTRATING DAY. 764 00:34:55,800 --> 00:34:57,270 SORRY TO HEAR THAT. 765 00:34:57,300 --> 00:35:00,470 ORDINARILY, I WOULD HANDLE THIS CALMLY. 766 00:35:00,500 --> 00:35:02,500 BUT I AM TOO FULL OF FRUSTRATION, 767 00:35:02,540 --> 00:35:05,540 AND IT IS THIS CLOSE TO BOILING OVER. 768 00:35:05,580 --> 00:35:08,720 I WASN’T AT MY MOM’S THIS MORNING. 769 00:35:11,150 --> 00:35:13,280 I GOT NOTHING AGAINST YOU, MARSHALL. 770 00:35:13,320 --> 00:35:15,130 I UNDERSTAND WHAT YOU DID. 771 00:35:15,150 --> 00:35:16,520 I DIDN’T DO ANYTHING. 772 00:35:16,560 --> 00:35:18,960 YOUR MOM WAS A COLD BITCH WHO SHOVED YOU AROUND, 773 00:35:18,990 --> 00:35:20,860 AND THIS FIANCéE IS HER CARBON COPY. 774 00:35:20,890 --> 00:35:22,620 DON’T YOU DARE TALK ABOUT HELEN LIKE THAT. 775 00:35:22,660 --> 00:35:24,860 SO I DON’T WANT TO BEAT THE CRAP OUT OF YOU, 776 00:35:24,900 --> 00:35:27,140 BUT I DON’T THINK I’M GONNA BE ABLE TO CONTROL MYSELF. 777 00:35:27,170 --> 00:35:28,210 YOU’RE OUT OF YOUR MIND. 778 00:35:31,240 --> 00:35:32,240 DON’T HURT ME! 779 00:35:32,270 --> 00:35:34,300 YOU WENT OVER THERE THIS MORNING 780 00:35:34,340 --> 00:35:36,810 TO TALK ABOUT HER BUTTING INTO YOUR LIFE. 781 00:35:36,840 --> 00:35:37,670 IT ESCALATED. 782 00:35:37,710 --> 00:35:40,010 SHE KEPT SAYING IF I MARRIED HELEN, 783 00:35:40,040 --> 00:35:41,340 SHE’D NEVER SPEAK TO ME AGAIN, 784 00:35:41,380 --> 00:35:42,980 WHICH IS EXACTLY WHAT HELEN WAS SAYING. 785 00:35:43,010 --> 00:35:44,810 WHEN DID THE DRILL COME IN? 786 00:35:44,850 --> 00:35:45,850 SHE KEPT CALLING HER NAMES, 787 00:35:45,880 --> 00:35:48,050 THE SAME NAMES THAT HELEN WOULD CALL HER, 788 00:35:48,090 --> 00:35:50,200 AND I JUST LOST IT. THE DRILL, MARSHALL! 789 00:35:50,220 --> 00:35:52,590 "WHORE, SLUT, BITCH" ‐‐ 790 00:35:52,620 --> 00:35:54,860 OVER AND OVER AND OVER, AND I HAD TO SHUT HER UP! 791 00:35:54,890 --> 00:35:57,490 SO YOU PICKED UP THE DRILL. IT WAS ON THE GROUND. 792 00:35:57,530 --> 00:35:59,490 AND YOU WHACKED HER WITH IT TO SHUT HER UP. 793 00:35:59,530 --> 00:36:01,160 THAT WAS THE FIRST SHOT. 794 00:36:01,200 --> 00:36:02,330 THE REST WAS... 795 00:36:02,370 --> 00:36:05,340 I JUST... 796 00:36:05,370 --> 00:36:07,170 [ Voice breaking ] I WAS AT MY LIMIT. 797 00:36:07,210 --> 00:36:09,210 [ BREATHING HEAVILY ] 798 00:36:11,710 --> 00:36:14,210 OKAY, MARSHALL. 799 00:36:14,250 --> 00:36:15,690 ALL RIGHT. 800 00:36:15,710 --> 00:36:18,650 [ SOBS ] 801 00:36:25,490 --> 00:36:27,390 HE’S LOOKING AT AN "A" FELONY. 802 00:36:27,430 --> 00:36:28,930 BACK UP. WHAT ARE WE TALKING ABOUT? 803 00:36:28,960 --> 00:36:31,360 LAB REPORT CAME BACK. THE WEIGHT IS FOUR OUNCES. 804 00:36:31,400 --> 00:36:33,040 YOU’RE KIDDING ME. 805 00:36:33,060 --> 00:36:34,860 THEY JUST TRANSFERRED HIM TO A HOLDING CELL. 806 00:36:34,900 --> 00:36:35,630 RITA’S ON THE WAY. 807 00:36:35,670 --> 00:36:37,040 WHEN’S HE BEING ARRAIGNED? 808 00:36:37,070 --> 00:36:38,170 PROBABLY SOMETIME TOMORROW. 809 00:36:38,200 --> 00:36:40,700 BETWEEN THE WEIGHT AND THEM THINKING HE’S A DIRTY COP, 810 00:36:40,740 --> 00:36:42,070 HE’S SCREWED AS FAR AS BAIL. 811 00:36:42,110 --> 00:36:43,310 I DON’T DISAGREE. 812 00:36:43,340 --> 00:36:45,210 SO HE JUST SITS IN A CELL. 813 00:36:45,240 --> 00:36:47,740 I’LL KEEP MY EAR TO THE GROUND. 814 00:36:49,580 --> 00:36:50,710 YOU HEADING DOWN THERE? 815 00:36:50,750 --> 00:36:52,380 YEAH. 816 00:36:52,420 --> 00:36:56,900 ANYTHING HE NEEDS, ANYTHING I CAN DO. 817 00:36:56,920 --> 00:36:58,750 I’LL BE LATE. 818 00:36:58,790 --> 00:37:00,060 I KNOW. 819 00:37:00,090 --> 00:37:02,890 I’LL TRY TO REMEMBER DETERGENT ON THE WAY HOME. 820 00:37:02,930 --> 00:37:04,100 I’LL TAKE CARE OF IT. 821 00:37:04,130 --> 00:37:06,560 NO, BECAUSE I DON’T WANT TO BE SHIRKING MY DUTIES AT HOME. 822 00:37:06,600 --> 00:37:08,130 ANDY, DON’T TAKE THIS OUT ON ME. 823 00:37:08,170 --> 00:37:10,410 I’M TALKING ABOUT DETERGENT. NO, YOU’RE NOT. 824 00:37:10,430 --> 00:37:13,430 I’M WORRIED ABOUT JOHN, TOO, SO STOP IT. 825 00:37:13,470 --> 00:37:15,470 I CAN’T LET HIM JUST SIT IN A CELL. 826 00:37:15,510 --> 00:37:17,020 I GOTTA TAKE CARE OF THIS. 827 00:37:17,040 --> 00:37:19,110 I WANT YOU TO. 828 00:37:19,140 --> 00:37:20,980 GO. 829 00:37:28,150 --> 00:37:30,250 THIS IS WRONG BRINGING ME IN AGAIN. 830 00:37:30,290 --> 00:37:31,750 WE ALREADY TALKED. 831 00:37:31,790 --> 00:37:35,290 WE GOT NO MORE TIME FOR THIS, OMAR, NOT TODAY. 832 00:37:35,330 --> 00:37:37,970 WE’LL GET A WARRANT TO SEARCH YOUR PLACE ‐‐ 833 00:37:38,000 --> 00:37:39,470 A KNIFE, BLOODY CLOTHES ‐‐ 834 00:37:39,500 --> 00:37:40,810 WE’LL FIND SOMETHING, AND THEN YOU GET NO PLAY. 835 00:37:40,830 --> 00:37:43,800 SO BE STRAIGHT NOW OR DIE IN JAIL. 836 00:37:43,840 --> 00:37:45,510 YOU HAVE A BIT OF A WEIGHT PROBLEM, DON’T YOU? 837 00:37:45,540 --> 00:37:48,280 I’M BIG‐BONED, BUT YEAH. 838 00:37:48,310 --> 00:37:50,850 WELL, WE DON’T SEE AN OPINIONATED GUY LIKE ARTEZ 839 00:37:50,880 --> 00:37:51,850 LETTING THAT SLIDE. 840 00:37:51,880 --> 00:37:53,450 ARTEZ DIDN’T LET NOTHING SLIDE. 841 00:37:53,480 --> 00:37:56,450 HOW YOU DRESSED, ATE, CRAPPED. 842 00:37:56,480 --> 00:37:58,210 WE TALKED TO A LOT OF PEOPLE KNEW HIM, 843 00:37:58,250 --> 00:38:00,280 AND THE SAME WORDS KEPT COMING UP ‐‐ 844 00:38:00,320 --> 00:38:04,290 "PUSHY," "JUDGMENTAL," "IN YOUR FACE." 845 00:38:04,320 --> 00:38:07,120 10 MINUTES WITH HIM, HE’D FIND 10 THINGS WRONG WITH YOU ‐‐ 846 00:38:07,160 --> 00:38:08,690 EVEN YOU. 847 00:38:08,730 --> 00:38:10,840 DO YOU SEND YOURSELF POSITIVE AFFIRMATION LETTERS IN THE MAIL? 848 00:38:10,860 --> 00:38:12,190 NO. 849 00:38:12,230 --> 00:38:14,460 OKAY, YOU’RE LIVING YOUR LIFE WRONG. THAT WAS ARTEZ. 850 00:38:14,500 --> 00:38:15,900 SOMETHING WENT DOWN BETWEEN YOU TWO, 851 00:38:15,930 --> 00:38:18,000 HIM BEING A PRICK, THAT’S GONNA MATTER. 852 00:38:18,040 --> 00:38:20,650 BUT YOU KEEP SHOVIN’ IT, NO ONE’S GONNA SEE THAT. 853 00:38:20,670 --> 00:38:22,370 ALL THEY’RE GONNA SEE IS YOU KILLING HIM, 854 00:38:22,410 --> 00:38:24,980 THEN LYING ABOUT IT. 855 00:38:25,010 --> 00:38:27,310 WHAT YOU GOTTA UNDERSTAND IS I’M A GOOD PERSON. 856 00:38:27,350 --> 00:38:29,250 TWICE A WEEK, I VOLUNTEER FOR THE KIDS. 857 00:38:29,280 --> 00:38:30,580 WHAT DID ARTEZ DO? 858 00:38:30,620 --> 00:38:34,330 IF I WANT A PIECE OF LEFTOVER CAKE, I’M ENTITLED. 859 00:38:34,350 --> 00:38:35,580 I’VE EARNED IT. 860 00:38:35,620 --> 00:38:37,920 ARTEZ GAVE YOU A HARD TIME ABOUT EATING CAKE? 861 00:38:37,960 --> 00:38:40,400 HE’S DRIVING, I REACH BACK FOR A SLICE, 862 00:38:40,420 --> 00:38:43,760 AND HE’S ALL LIKE, "DON’T DO IT, OMAR, DON’T DO IT." 863 00:38:43,800 --> 00:38:45,770 HE PULLS OVER, SAYS I’M KILLING MYSELF. 864 00:38:45,800 --> 00:38:48,340 "GARBAGE IN, GARBAGE OUT." THAT’S WHAT HE’D SAY. 865 00:38:48,370 --> 00:38:49,940 "I CAN’T LET YOU DO IT, OMAR." 866 00:38:49,970 --> 00:38:51,000 WHO MADE HIM KING? 867 00:38:51,040 --> 00:38:52,780 EXACTLY. 868 00:38:52,800 --> 00:38:54,570 "GIVE ME THE KNIFE," HE KEPT SAYING. 869 00:38:54,610 --> 00:38:56,180 "HAVE SOME DIGNITY." 870 00:38:56,210 --> 00:38:58,750 I GOT MY DIGNITY! 871 00:38:58,780 --> 00:39:02,290 "YOU WANT THE DAMN KNIFE, ARTEZ? 872 00:39:02,310 --> 00:39:03,780 HERE IT IS!" 873 00:39:03,820 --> 00:39:04,720 UGH! 874 00:39:10,090 --> 00:39:12,420 ALL THIS OVER CAKE? 875 00:39:12,460 --> 00:39:14,230 OVER A PIECE OF DAMN CAKE? 876 00:39:14,260 --> 00:39:16,020 HE WOULDN’T SHUT UP. 877 00:39:16,060 --> 00:39:18,990 WELL, YOU SHOWED HIM... DIDN’T YOU? 878 00:39:30,240 --> 00:39:31,840 [ SIGHS ] 879 00:39:35,080 --> 00:39:37,210 FOUR OUNCES. 880 00:39:37,250 --> 00:39:38,580 YEAH. 881 00:39:39,950 --> 00:39:42,780 BAIL’S GONNA BE THROUGH THE ROOF, IF I EVEN MAKE BAIL. 882 00:39:42,820 --> 00:39:44,050 WE’RE GONNA WORK THIS OUT. 883 00:39:44,090 --> 00:39:46,760 YOU CALL YOUR DAD? 884 00:39:46,790 --> 00:39:48,220 NOT YET. 885 00:39:48,260 --> 00:39:50,130 HE GETS THE WORD TONIGHT, HE’LL FIND THE BAR. 886 00:39:50,160 --> 00:39:51,790 YOU DON’T WANT HIM HEARING THIS ON THE NEWS. 887 00:39:51,830 --> 00:39:53,760 I’LL HEAD OVER THERE TONIGHT AND TELL HIM. 888 00:39:53,800 --> 00:39:55,930 YEAH, GOOD. 889 00:39:55,970 --> 00:39:57,910 I NEED SOME TIME WITH ANDY, OKAY? 890 00:39:57,940 --> 00:39:59,010 SURE. 891 00:40:12,950 --> 00:40:13,920 I LOVE YOU. 892 00:40:13,950 --> 00:40:15,020 I LOVE YOU, TOO. 893 00:40:26,630 --> 00:40:27,930 THOSE DRUGS WEREN’T MINE. 894 00:40:27,970 --> 00:40:29,980 IF I THOUGHT THEY WERE, I WOULDN’T BE HERE. 895 00:40:30,000 --> 00:40:31,530 I’VE BEEN GOING THROUGH EVERYTHING IN MY HEAD. 896 00:40:31,570 --> 00:40:32,600 IT’S GOTTA BE LAUGHLIN. 897 00:40:32,640 --> 00:40:33,810 HE’S A GOOD PLACE TO START. 898 00:40:33,840 --> 00:40:35,200 HE’S THE GUY, I KNOW IT. 899 00:40:35,240 --> 00:40:36,810 ANYONE YOU KNOW USE? 900 00:40:36,840 --> 00:40:39,840 JUST INFORMANTS, BUT NONE OF THEM WOULD BURN ME LIKE THIS. 901 00:40:39,880 --> 00:40:41,780 HOW ABOUT WHEN YOU WERE IN NARCOTICS? 902 00:40:41,810 --> 00:40:43,140 YOU EVER TRANSFER ANYBODY IN YOUR CAR? 903 00:40:43,180 --> 00:40:45,650 NO, NEVER. NO, IT’S GOTTA BE LAUGHLIN. 904 00:40:48,850 --> 00:40:51,150 ALL RIGHT, I TRACKED DOWN MARTENS. 905 00:40:51,190 --> 00:40:53,290 THE WARRANT WAS BASED ON AN ANONYMOUS CALL. 906 00:40:53,320 --> 00:40:54,360 I FIGURED AS MUCH. 907 00:40:54,390 --> 00:40:55,990 I’LL CHECK WITH OUR C. I. s, 908 00:40:56,030 --> 00:40:58,140 SEE IF ANYBODY’S GOT ANYTHING ON LAUGHLIN WE CAN USE. 909 00:40:58,160 --> 00:41:00,130 AND THEN TONIGHT I’LL START EYEBALLING 910 00:41:00,160 --> 00:41:02,130 HIS ACTIVITY REPORTS OVER THE LAST FEW MONTHS, 911 00:41:02,170 --> 00:41:04,840 SEE WHO HE’S BUSTED FOR HEROIN, AMOUNTS ‐‐ 912 00:41:04,870 --> 00:41:05,970 HE WENT TO THE TROUBLE OF SETTING ME UP, 913 00:41:06,000 --> 00:41:07,900 MY GUESS IS HE DIDN’T LEAVE A CALLING CARD. 914 00:41:16,950 --> 00:41:19,510 A LOT OF YOUR GREAT MINDS GOT THEIR BEST THINKING DONE 915 00:41:19,550 --> 00:41:22,880 WHEN THEY WERE LOCKED UP ‐‐ GANDHI, MANDELA. 916 00:41:22,920 --> 00:41:25,990 SO I WORK ON MY MANIFESTO UNTIL I GET OUT. 917 00:41:26,020 --> 00:41:29,360 WE’RE GONNA CLEAR THIS UP, JOHN. 918 00:41:29,390 --> 00:41:30,660 YOU’LL LOOK BACK, 919 00:41:30,700 --> 00:41:33,100 IT’LL BE A BUMP IN THE ROAD ‐‐ NOTHING MORE. 920 00:41:36,300 --> 00:41:40,200 YOU SHOULD TAKE OFF, GET BACK TO CONNIE AND THE KIDS. 921 00:41:43,540 --> 00:41:44,970 BUMP IN THE ROAD. 922 00:41:46,550 --> 00:41:47,950 JUST GET ME OUT OF HERE. 923 00:41:58,090 --> 00:42:00,590 [ LOCK LATCHES ]